Farthing by Jo Walton
Published: Tor, 2006
Series: Book 1 of the Small Change Trilogy
Awards Nominated:
Locus SF, Nebula, John W. Campbell Award
The Book:
“One summer weekend in 1949--but not our 1949--the well-connected
"Farthing set", a group of upper-crust English families, enjoy a
country retreat. Lucy is a minor daughter in one of those families; her parents
were both leading figures in the group that overthrew Churchill and negotiated
peace with Herr Hitler eight years before.
Despite her parents' evident disapproval, Lucy is
married--happily--to a London Jew. It was therefore quite a surprise to Lucy
when she and her husband David found themselves invited to the retreat. It's
even more startling when, on the retreat's first night, a major politician of
the Farthing set is found gruesomely murdered, with abundant signs that the
killing was ritualistic.
It quickly becomes clear to Lucy that she and David were brought
to the retreat in order to pin the murder on him. Major political machinations
are at stake, including an initiative in Parliament, supported by the Farthing
set, to limit the right to vote to university graduates. But whoever's behind
the murder, and the frame-up, didn't reckon on the principal investigator from
Scotland Yard being a man with very private reasons for sympathizing with
outcasts…and looking beyond the obvious.
As the trap slowly shuts on Lucy and David, they begin to see a
way out--a way fraught with peril in a darkening world.” ~barnesandnoble.com
I read Jo
Walton’s Farthing as the October
selection for the 2011 Women in Science Fiction Book Club, hosted byCalicoReaction. I’m a little
behind again, but oh well! I’d
never read any of Walton’s work before, but I am planning to pick up Tooth and Claw in the near future. At some point, I think I’d like to read
the rest of the Small Change trilogy as well, though Farthing definitely stands on its own without sequels.
My Thoughts:
Farthing is a fascinating
combination of a country manor murder mystery and a WWII era alternate
history. The story begins with the
mystery, and only slowly reveals a world that is not quite like our own. The murder mystery is less concerned
with Holmes-esque feats of logic than it is with a more ordinary type of
investigating. Carmichael’s work
mostly involves paperwork, politics, and interviews with often-dishonest
suspects. The stakes of the story were raised as more and more of the alternate
history setting started to intrude on the situation at the country manor. I enjoyed
both aspects of the story and was impressed with how well they worked together
to create an atmosphere of increasing tension from leisurely beginnings.
While I appreciated the story itself, the novel was really
brought to life by the two main characters. The narration alternated between the first person viewpoint
of Lucy Kahn and the third person viewpoint of Inspector Carmichael. It took a while to get used to the
switching between first and third person, but I was really impressed with the
huge difference in style between the viewpoint characters. I would never have read a sentence of
Lucy’s narration and mistaken it for anyone else.
To be honest, Lucy really irritated me at the beginning. She seemed like the usual
representation of a ditzy, coddled, aristocratic woman-child—not one of my
favorite character types. However,
later on in the story, I began to feel guilty about my initial dismissive
attitude towards her character.
While she definitely was a little silly and sheltered, she was also a
person of loyalty, courage, and integrity. On the other end of the spectrum, Inspector Carmichael
started as a very business-like, professional narrator. Throughout the story, though, various
aspects of his personal life and principles were slowly revealed. I preferred Carmichael’s chapters at
the outset, but, by the end, I was equally engrossed in the stories of both
narrators. Many of the minor characters were fairly simple, but Lucy and
Inspector Carmichael were engaging, complex, and dynamic characters.
Aside from being an absorbing story with active, likable
main characters, Farthing also had a
lot to say about human nature. While
some of the themes seemed a little heavy-handed, Walton’s writing never felt
preachy to me. Much of the novel
seemed to be about examining the dangerous relationship between prejudice and
power. Farthing also showed how easy
it is for otherwise good people to allow or commit terrible acts, and how
difficult it can be to maintain one’s personal integrity. While the story is very smoothly
readable and entertaining, it also carries a punch that kept it in my mind long
after I’d finished the last page.
My Rating: 4.5/5
Farthing is a very
impressive novel that skillfully weaves together a murder mystery and an
alternate WWII history. It switches
between the first person viewpoint of aristocrat Lucy Kahn, who married a
Jewish man in defiance of her family and society, and the third person
viewpoint of Inspector Carmichael, who is tasked with solving a murder at Lucy’s
aristocratic family’s country retreat.
Both viewpoints are vivid and engaging, and both characters are complex
and well worth following. While
the story is highly entertaining, it also has a lot to say about power,
prejudice and human nature. I’m
glad I ended up picking up this novel of Jo Walton’s, and I can’t wait to check
out more of her work!
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