Goliath by Scott Westerfeld
Published: Simon
Pulse, 2011
Series: Book 3 of the
Leviathan Trilogy
Awards Nominated: Locus YA Award
Awards Nominated: Locus YA Award
**Spoiler Alert: I've tried to keep clear of spoiling plot
points. However, given that this novel has only been out for a couple of
months (and that it is the final novel of a trilogy), it might be a good idea to stop here if you don't want to be
spoiled.
The Book:
“Alek and Deryn may
have helped resolve the situation with the Ottoman Empire, but World War I is
still escalating. Alek is
determined that it is his destiny to end the war, since it was his parents’
deaths started it. However, he’s stuck aboard the Leviathan, which is heading
further and further from the heart of the conflict, for reasons no one seems
inclined to explain to him.
Deryn’s secret—that
she is a woman—is getting harder to keep, particularly now that she has fallen
in love with her best friend Alek.
She feels certain they could never be together, since he’s the heir to
the Austro-Hungarian Empire and she’s a cross-dressing soldier. What she doesn’t know is how Alek will
react if he ever learns the truth.
As the course of the Leviathan
is diverted through Siberia, Japan, Mexico, and finally to New York City, Deryn
and Alek will encounter new dangers, new people, and new hopes for an end to the
war!” ~Allie
This is my final review for WWend’s Month of YA GenreFiction. Once again, Goliath picks up right where Behemoth left off, and the first two
novels are necessary reading before picking this one up. In most series, I can pick out the
stronger and weaker installments, but the novels in the Leviathan trilogy are of remarkably consistent quality. Westerfeld has crafted an even,
continuously exciting trilogy that has now come to a very satisfying
conclusion.
My Thoughts:
As in the case of the previous two volumes, Goliath is packed with many of Keith Thompson’s wonderful
illustrations. These are
particularly good for showing off the many creative steam-powered machines and
fabricated animals that Deryn and Alek encounter on their travels. This time around, the Leviathan airship journeys through many
exotic locations, though none of them are nearly as fleshed out as Westerfeld’s
Istanbul. While there’s still
plenty of action, this is more of a character-oriented book than the previous
two. It feels as though it is more focused on Alek and Deryn’s personal
stories, though they are still caught up in dramatic historical events.
Aside from the
continuing cast aboard the Leviathan,
a handful of characters from earlier in the story also make appearances in Goliath. The ‘perspicacious lorises’ from Behemoth are still around, and I feel like I can comment on their
role in the story now. While the
lorises are quite adorable, in pictures and in actions, they seem to exist solely
to point out important clues to the characters (and readers). Considering they were Dr. Barlow’s life
work, I had hoped that there would be something more to them. The size of the novel’s cast also
swells from the addition of many new characters, some of which are based on
historical figures. Though it’s neat to see fictional representations of
well-known people from history, I was a little concerned by the strong negative
characterization of a certain famously eccentric scientist. I hope that younger readers will understand
that while these characters are based on real people, a fair amount of artistic
liberty is taken in their portrayal.
I think Goliath handles
the budding romance between Deryn and Alek much more skillfully than the
previous volume. The original ‘falling
in love’ of Deryn seemed abrupt, but the development of their relationship
seemed much more natural in Goliath.
Deryn’s constant angsting about her and Alek’s relative social status got a
little old, but I can’t claim that her obsessing isn’t realistic for someone
caught in the grips of first love.
I think the story involving Deryn’s secret gender stretched credulity a
bit, but I was mostly willing to just go along with the ride. While their romance took a much larger
role in this novel, there’s still quite a bit more to the story. Throughout their adventures, I enjoyed
watching Alek and Deryn try to make sense of the chaotic world and their places
in it.
I’m not aware of any way of connecting Thomas Hobbes to the
title Goliath, so I’m going a little
further back in time with this title.
The obvious reference is to the biblical story of David and
Goliath. However, I think Goliath has more to say than the usual
statements about a small hero defeating a giant enemy through faith and
intelligence. I think Goliath was intended to provoke
discussions about morality of the David/Goliath situation. If it will end a war, is it moral to
kill someone, as David did Goliath?
If by violence, or threat of violence, you can protect the people you
love and bring about peace, does that make your actions acceptable? Westerfeld does not provide a simple
answer, but these are interesting questions to discuss against the events of Goliath.
My Rating: 4/5
Goliath is
consistent with the high level of quality I have come to expect from Scott
Westerfeld’s young adult novels.
Deryn and Alek continue their adventures on the Leviathan, traveling to new and exciting locations. Many
characters, new and old, show up along the way, and some of them are based on
actual people. Goliath deals both with the small-scale
story of Deryn and Alek’s personal troubles and secrets, and the large-scale
story of attempting to end World War I.
I was pleased that Westerfeld did not choose, in the end, to give his
readers an unrealistically happy ending.
Overall, I think this was a highly satisfying conclusion to the Leviathan trilogy.
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