Congratulations to Nnedi Okorafor on winning the World Fantasy Award for Best Novel!
My original predictions on the WFA novel nominees are here, and my full review of Who Fears Death is here.
I did not successfully predict the winning novel, but I did think Who Fears Death ranked in the top half of this year's nominees. I think it's great to see such creative and original work being rewarded!
Monday, October 31, 2011
Friday, October 28, 2011
Review: Phantom by Thomas Tessier
Phantom by Thomas Tessier
Published: Atheneum,
1982
Awards Nominated:
World Fantasy Award
The Book:
“Ned has known about
phantoms since he was very young.
You have to hide from them, under your bed covers. You can’t peek, because then you’ll see
that they’re real. Then there’s no
taking it back.
When Ned is almost
ten, his parents move him from the city to a small town called Lynnhaven. Lynnhaven has its own ghosts—stories of
people long gone and a ruined, abandoned spa that still remains. Ned seems to adapt well, befriending
several local old-timers and spending his days fishing and playing. However, he slowly becomes aware that
there is something dark waiting for him, and he associates it with the decrepit
spa. He knows that sooner or later
he will have to face his phantom…” ~Allie
Phantom, a novel
on the Horror Writer’s Association Reading List, is my second review
for WWEnd’s Month of Horrors. Phantom, which represents a very
different style of horror than Conjure
Wife, is a quieter, slower-paced story that focuses more on the kinds of
fear that are probably familiar to everyone.
My Thoughts:
One of the strengths of Phantom
as a horror story was the way it was built upon a foundation of realistic
fear. First, it featured the
(possibly) baseless terror children often experience while alone at night. I remember being an overly
imaginative child, spending nights where every little sound or shifting shadow
filled me with an irrational sense of doom. The actual events of Phantom moved well beyond usual
childhood fright, but its basis in this kind of common fear made Ned’s
situation much more relatable. The
other, more serious, kinds of fear at the heart of the story were of the
rational adult variety—fear of death or of losing someone you love. While childish fear certainly drove
some of the creepier scenes, the mature fears were the ones that truly lent the
story weight and made it memorable.
Despite the fact that the story involved both terror and
phantoms, it was incredibly slow-paced.
Most of the story involved Ned and his family getting settled in
Lynnhaven. His mother and father
both tried to help Ned adjust, in their own ways. For his part, Ned coped with
the move by forging a friendship with two elderly men, Peeler and Cloudy. The relationship between Ned and the
two men was absolutely adorable. Peeler and Cloudy took him along to fish or
catch bait, and Ned eagerly listened to their old stories about former
Lynnhaven residents. The
development of Peeler and Cloudy’s peaceful friendship with Ned, or ‘Mr.
Tadpole’ as they called him, and Ned’s relationships with his parents filled a
large part of the novel.
I enjoyed the focus on the characters and their
relationships, but I was surprised at how much more emphasis was placed on
everyday life than on frightening deviations from it. If you’re reading the story solely for thrills, I think it
might become frustrating. The
breaks between the more disturbing events are filled with pages of parental
worries and conversations with Peeler and Cloudy. I don’t mean to say that exciting,
creepy things don’t happen—Ned’s experiences with the spa are one example—but
the thrills definitely take a back seat to character study and contemplative scenes
of daily life.
The writing itself was concise and effective, but I was a
little put off by the style of narration.
The story is told from a third person omniscient point of view, and the
thoughts and feelings of each person are generally described in every
scene. The narration would hop
from the mind of one person to the next between paragraphs, a style that I find
personally jarring. It was never
unclear whose thoughts were being related, but I felt that constantly moving
from one person’s mind to another disturbed the flow of the story.
My Rating: 3.5/5
Phantom seems very
much what I would expect from traditional horror, except for its slow,
contemplative pace. It has a lot
to say on the subject of fear, both the kinds of fears that plague small
children and the inevitable fear of mortality with which I think most people
eventually struggle. Rather than focusing
on supernatural interference, the story focused more on the roots of a person’s
fear and how it affects their lives.
The thrilling, spine-tingling scenes were few and far between, but the
bulk of the novel studied the relationships between Ned, his parents, and the
elderly townsfolk Peeler and Cloudy.
While it may not be packed full with action and suspense, the story of
Ned and his phantom portrays many varieties of fear that will resonate with its
readers.
Monday, October 24, 2011
Review: Hull Zero Three by Greg Bear
Hull Zero Three by
Greg Bear
Published: Orbit,
2010
Awards Nominated:
John W. Campbell Award, Arthur C. Clarke Award
The Book:
“A starship hurtles through the
emptiness of space. Its destination - unknown. Its purpose - a mystery.
Now, one man wakes up. Ripped from a dream of a new
home - a new planet and the woman he was meant to love in his arms - he finds
himself wet, naked, and freezing to death. The dark halls are full of monsters,
but trusting other survivors he meets might be the greater danger.
All he has are questions -- Who is he? Where are they
going? What happened to the dream of a new life? What happened to Hull 03?
All will be answered, if he can survive the ship. “~barnesandnoble.com
I’ve never actually gotten around to reading any Greg Bear, despite his
popularity as an author. When I
saw Hull Zero Three was nominated for
the Campbell Award this year, I thought it would be a good time to check out
his work. While I don’t think Hull Zero Three is for everyone, I did
rather enjoy it.
My Thoughts:
I think this is the kind of book that some people are going
to love, and others are going to hate. I can see where the narrative style and
the structure of the story might be intriguing to some readers but alienating
to others. It seemed, to me, like a combination of a Big Dumb Object story, a
sci-fi horror story, a cinematic thriller, and an adventure RPG. While none of these elements seem
particularly original, I felt that they melded together to make an entertaining
story.
Hull Zero Three is
narrated in first person and in present tense, from the mind of the confused,
disoriented protagonist called ‘Teacher’.
He doesn’t really know what’s going on when he wakes up, and what few
memories he has are jumbled up and disconnected. The present tense helped to give the situation a sense of
immediacy, and the near-blank-slate main character allows the reader to explore
and learn alongside the narrator.
Though Teacher is not an incredibly deep character, Bear managed to keep
him from seeming too generic or bland. Seeing the story through Teachers mind,
as he collected clues, met allies and enemies, and fought or fled from
monstrous creatures, felt very much like experiencing a story-based adventure
game.
The downside for this type of adventure is that neither the
characterization nor the plot has a whole lot of depth. While Teacher and
several other characters do have distinct basic personalities, they know almost
nothing about themselves and their purpose in the ship. As a result, it seemed like almost all
of the conflict and activity in the story was external and physical. Even the characters’ personal journeys
of self-discovery were externalized, as they gathered clues about their
identities and roles in the current desperate situation.
As a result, a lot of the story consists of the characters’
reactions to physical obstacles and dangers. The writing style is rather plain and terse, and it focuses
on the physical and visual aspects of the story—descriptions of the
environment, the deadly creatures, and the actions of the characters. The story moves along quickly, though I
felt it lacked the character connection that might have come from a more
introspective approach. I think that this style of story would be very suited
to a film adaptation. (Actually,
I’ve heard it has similarities to a certain film, Pandorum. I haven’t seen it, though, so I can’t really comment.)
I found myself liking the book more the further I read
through it. I didn’t find the
beginning of the story to be very compelling. Since Teacher had no idea what
was happening around him, some of the difficulties he struggled through seemed
to be random and illogical. Information about Teacher, his companions, and
their purpose is given only very gradually, and the story was much more
interesting when the larger picture started to come together. I felt that this started to happen a
little too late in the story, though, as there was then little time to explore
the ideas about morality and identity that were being raised. I think I would have preferred to see
more time spent on the end of the story than the beginning, though I did appreciate
the eventual explanations for Teacher’s journey.
My Rating: 3.5/5
Hull Zero Three seems
to be highly influenced by previous science fiction, movies, and video
games. The reader slowly learns
about the situation and the characters through the mind and narration of a
near-blank-slate protagonist called Teacher, who has just awakened with very little
knowledge or memories. Most of the
novel focuses on the physical environment and actions of the characters as they
struggle to survive. The story
eventually draws together to an interesting conclusion, but I felt that the explanations
came a little too late in the novel.
Altogether, I thought this was an entertaining, but not groundbreaking,
novel.
Thursday, October 20, 2011
Review: Conjure Wife by Fritz Leiber
This is my first post for WWEnd’s Month of Horrors, which is
welcoming the addition of the horror genre to the site! Conjure
Wife is a selection from the Horror Writer’s Reading Association list, and
it tells a story that is both creepy and full of suspense. This horror classic has been an
inspiration for film multiple times over the decades (Weird Woman in 1944, Night of
the Eagle/Burn, Witch, Burn! in 1962, and Witches Brew/Which Witch is Which? in 1988), and I think it well
deserves its lasting fame.
--------------------------------------------------------------------------------------------------------------------
Conjure Wife by Fritz
Leiber
Published: Berkley
Publishing Group, 1952 (originally in “Unknown Worlds”, 1943)
The Book:
“Life is going pretty
well for Norman Saylor, Professor of Ethnology at the small College of Hempnell. His career is on the rise, and he knows
that a large part of his success is due to the faithful, loving support of his
wife, Tansy. One day, when he
innocently pokes his nose into Tansy’s dressing room, he learns that she’s been
using much more than her secretarial skills to make his life run more
smoothly—she’s been using witchcraft.
Norman believes his
studies of cultural superstitions have given rise to her ‘little witchcraft
complex’, and he convinces her to stop it completely. However, after burning her protective charms, things begin
to go wrong. Old and new enemies
crop up, and his daily life begins to be plagued by many trivial—and some
serious—difficulties. Is it all
coincidence, or are there other magical forces at work, much more malevolent
than Tansy’s protective charms?
Will Norman continue to cling to his rational world, or will he be able
to bring himself to trust in his wife before it is too late?” -- Allie
My Thoughts:
Some elements of the society of Conjure Wife are firmly set in the 1940s, but the story itself is
one that would work well in any era.
In fact, with its juxtaposition of magic and mysticism with modern
university life, it could be seen as a precursor to modern dark urban fantasy.
The manipulation of tension in the story is masterful, and there were times
when it was almost impossible to put the book down.
The magical and realistic elements of the story were woven
together in a way that was suitably disturbing while rarely moving towards the
absurd. Rather than going for Bewitched-style magic, the witchcraft of
Conjure Wife seemed to be based more
on actual practices, specifically the Hoodoo folk magic of the southern United
States. Tansy’s main form of magic
is the protective charms, which she calls ‘hands’, various objects ritually
wrapped in flannel. The physicality of the magic and the references to (I
assume) actual traditional practices lend weight and mystery to scenes
featuring witchcraft.
While some of the dated elements of the story, such as the
Norman’s references to psychoanalysis, were amusing, I was initially afraid
that I would be turned off by the treatment of women and African Americans in
the novel. Women’s rights, as well
as the rights of African Americans, were not doing quite as well in the 1940s
as they are today, and Conjure Wife is
a product of its time. African Americans are only mentioned in reference to
Hoodoo practices, which, I think, kind of plays into a popular fictional
stereotype. The story also often
discusses the fact that men are ‘naturally rational’, while women are
‘naturally intuitional’, and thus more likely to fall prey to superstition. However, when taken in the context of the
society and the events of the story, these elements did not really come across
as offensive. One interesting similarity to modern day is the contemporary
attitudes toward universities.
Norman notes that many people see large universities as “hotbeds of
Communism and free love”. If you
update the vocabulary (to left-wing politics and casual sex), then I imagine it
would be quite easy to find a lot of people who would still make that claim.
Incidentally, Norman and Tansy Saylor want nothing more than
to get back to one of those hotbeds.
They are not nearly the respectable, staid couple that their career
would seem to imply, though they are putting on a good show of it for the
small, conservative college of Hempnell.
They’re more accustomed to raucous drinking parties with their
theatrical friends, but they’re currently resigned to playing bridge with the
other faculty couples. Norman
can’t quite give up some of his controversial ideas, such as his thoughts on
premarital sex, despite how much it scandalizes the trustees.
For her part, Tansy is an intelligent and capable character,
and a very powerful witch. She
only practices protective magic, and she is remarkably selfless. Even when
she’s in need of rescuing, she never completely loses her agency. The antagonists, on the other hand, are
only very lightly developed as characters. Their motivations are clear and reasonable, but none of them
have much depth. In general, I
didn’t mind the weaker characterization of the antagonists, since I felt that
the heart of this story was Norman, Tansy, and their relationship.
My Rating: 4.5/5
I was delighted with how well Conjure Wife still worked as a smoothly entertaining story, despite
being written over half a century ago.
Some aspects of social attitudes and setting were very clearly out of
date, but others were still surprisingly relevant. I think the deciding factors in my enjoyment of the story
were the characters of Norman and Tansy and the strength of the portrayal of
their relationship. There’s
clearly a reason that Conjure Wife has
had such lasting fame, and I would fully recommend it to anyone looking for a
suspenseful, magic-filled tale this Halloween season!
Wednesday, October 12, 2011
Review: Firebird by Mercedes Lackey
Firebird by Mercedes
Lackey
Published: Doherty,
Tom Associates, LLC, 2008
Series: Book 1 of the
Fairy Tale Series
The Book:
“Ilya, son of a Russian tsar,
is largely ignored by his father and tormented by his brothers. His only
friends are three old people: a priest, a magician, and a woman who toils in
the palace dairy. From them Ilya learns faith, a smattering of magic, and the
power of love--all of which he will need desperately, for his life is about to
be turned upside-down.
The prince's magnificent cherry orchard is visited at midnight by
the legendary Firebird, whose wings appear
to be made of flame. Ilya's brothers' attempts to capture the magical
creature fail. When Ilya tries to catch the Firebird, he sees her as a
beautiful woman and earns a magical gift: the speech of animals.
Leaving his
home behind, the young
man journeys through a fantastical Russia full of magical mazes, enchanted
creatures, and untold dangers. As happens in the best fairy tales, Ilya falls
in love with an enchanted princess, but to win her freedom will be no easy
task. “ ~barnesandnoble.com (with some minor alterations by Allie, bolded)
I read this
novel as the September selection in the 2011 Women of Fantasy Book Club, which
sadly appears to have been abandoned.
I’d read a little bit of Lackey’s work when I was an adolescent, but
this is the first I’ve read in a long time. I felt like Firebird
was targeted towards a young adult audience. The only thing that would make me hesitate to recommend this
to younger readers is the troubling attitude towards sex. There is nothing particularly graphic
in the story, but I was bothered by casual mentions of both rape and of sex as a
means to promotion. In terms of plot, I think this story is one that would be
appreciated by young adult readers.
My Thoughts:
Firebird is based
on Russian folk/fairy tales (and the ballet of the same name, I believe). I’m not a scholar of Russian folk tales,
but many of the novel’s fairy tale elements were commonly found in the tales I
read as a child. I can’t really go
into detail without describing the entire plot of the novel, but I think that
many readers will find these elements pleasantly nostalgic. Though the content
feels very much like a fairy tale, the writing doesn’t have any of the
stylistic quirks I associate with that style of storytelling. It may be due to my reading so much
heavily stylistic fiction lately, but the prose seemed very ordinary. The story
started out at a very slow pace, and only really picked up speed at the very
end. I actually rather liked the leisurely
pacing, but I can see where it might be frustrating.
I don’t have much experience with Russian feudal agrarian
communities, but Lackey thoroughly describes the small world of Ilya’s family
and their serfs. I enjoyed the attention
to detail on topics ranging from the rules that govern work and relationships,
to the unstable balance of power within the tsar’s family, to the uneasy
coexistence of Christianity, Paganism, and the non-religious. Lackey also included a variety of
mythical Russian creatures, such as the bathhouse spirit, a Bannik, the cruel
water spirits, Rusalka, and the house spirit, a Domovoi. The animals (once Ilya could speak with
them) added yet another facet to the complexity of the community. The fantastic things Ilya found on his
journeys were described with equivalent wealth of detail.
Ilya was a fairly likable main character, though I was
initially a little irritated by his initial portrayal as superior to everyone
in his community. I was initially confused as to how he ended up as the ‘most
despised son’ in the tsar’s family.
At first, I assumed he was the usual bookish boy in a violent family,
but then we learn that Ilya is actually smarter and better at fighting than any of his brothers. It would then make sense for his
brothers to hate him out of jealousy, except that Ilya does not enjoy the favor
of their father, either. Given his
brother’s constant beatings and his apparent inability to ever get back at
them, it doesn’t really seem like he’s in a position inspire jealousy. I finally just decided that he was the
most despised son because that’s just how these kinds of stories work.
After I got over my initial irritation at Ilya’s superiority
and his unlikely position in the family, I realized that he was just a
generally good-hearted character with flaws that seem realistic for a teenage
boy. Ilya has a tendency to judge
people based on appearances, and he is frequently unable to understand situations
from others’ (specifically women’s) viewpoints. He also does not bother to try
to understand people he doesn’t like, so much of the characterization of the
novel is spent on his few friends and allies. As a result, pretty much all the female characters and antagonistic
characters end up fairly flat.
However, some of his friends—the priest, the shaman, and the various
animals that help him along his way—were a delight to read about.
My Rating: 3.5/5
Firebird is a very
slow-paced, but entertaining, story based on the Russian folk tales. The protagonist, Ilya, is the most
intelligent, most capable, most kind, and most despised son of a Russian
tsar. His character was a little
hard to take at times, but he had a number of realistic personality flaws (mostly
involving his perceptions of others) that made him seem more of a
three-dimensional representation of a teenage boy. The carefully described communities Ilya spends time in, and
the specific Russian spirits he encounter, create a vivid atmosphere for the
story. I don’t know that this is a
novel for everyone, but if you’re in the mood for a leisurely-paced, straightforward
fairy tale, it’s worth a look.
Labels:
3,
Fairy Tale,
Fantasy,
Mercedes Lackey,
Young Adult
Sunday, October 9, 2011
Review: Beggars in Spain by Nancy Kress
Beggars in Spain by
Nancy Kress
Published: Morrow AvoNova, 1993
Series: Book 1 of The
Sleepless
Awards Nominated:
Hugo, Nebula, John W. Campbell, Locus SF (The novella version won the Hugo and Nebula awards.)
The Book:
“Wouldn’t it be a great if human beings didn’t have to spend a third of their life asleep? That’s exactly the advantage the “Sleepless” have, along with a number of others, such as eternal youth, perfect health, genius-level intelligence and, in some cases, wealth and beauty. The Sleepless began as an experiment, and they have become an incredibly powerful minority within mere decades.
However, as the Sleepless develop a collective social and intellectual identity, the tensions between them and ordinary ‘Sleepers’ continue to rise. Sleepers fear and envy the wealth, success, and general physical and intellectual superiority of the Sleepless, and this envy occasionally bubbles over into sheer hatred. For their part, the Sleepless are supremely confident that their lives have more inherent worth than those of Sleepers. Rather than dealing with the Sleepers, whom they refer to as “Beggars”, many of them want to secede from the world altogether. “ ~Allie
Beggars in Spain
is the September selection for the Calico Reaction Blog’s Alphabet Soup
Challenge. I’d never read any
novels by Nancy Kress before, but I have vague memories of enjoying some of her
short fiction.
My Thoughts:
To my mind, Beggars in Spain felt very much like two books joined together. The first part of the novel featured the creation of the Sleepless, how their existence altered society, and the clashes between Sleepless and Sleeper humans. The second part of the novel was, in some ways, an iteration of the plot of the first half of the book, with different initial conditions. Despite the feeling of déjà vu, I actually enjoyed the second half of the novel a little more than the first.
The novel covers quite a lot of time—several generations of Sleepers—and has a correspondingly large number of characters. Unfortunately, few of them are ever really developed past a single defining characteristic. The characterizations of antagonists were especially flat and exaggerated. Antagonists were typically portrayed as representatives of a specific philosophy, and they followed their chosen tenets to the letter, regardless of logic, rationality, morality, or even their own goals and motivations. Of all of the characters, I was most interested in two that were introduced in the second part of the book, Miri and Drew. I felt that those two characters had the most depth of character. They were capable of some change and growth, and their flaws and disadvantages significantly impacted their lives. Their existence is a major part of why I enjoyed the second half of the book more than the first.
In contrast, the main character, Leisha Camden, felt like too much of a Mary Sue character to me. Leisha was a Sleepless baby who was born into a fabulously wealthy family, and who was genetically gifted with exquisite beauty and world-class intelligence. As a side effect of her Sleeplessness, she has perfect health and will never physically age past the appearance of roughly thirty years. Her parents doted on her, making sure she grew up believing that she was more important than other people. She went to Harvard and then moved into a highly successful career. However, she spends most of the book whining about how all the jealous people are oppressing her. In general, Leisha is pretty representative of the Sleepless, though they do not all initially come from such great wealth. Her major difference from most of the other Sleepless is her opposition to the idea of creating an isolated Sleepless community, and her desire to improve relations with Sleepers.
In general, I was never really able to buy the idea that the Sleepless were being oppressed. The readers are told over and over that the Sleepless are being persecuted, though few details of any persecution are shown. In contrast, we are also repeatedly shown that the Sleepless are the privileged class. The Sleepless may not hold political power, but they have a vast economic and technological edge on the rest of civilization. Crimes are committed against both Sleepers and Sleepless, but only the Sleepless have the power and resources to protect their own. In the latter half of the book, a new persecuted subgroup, the “Supers” are created. Their plight seemed much more believable to me, due in part to the obvious vulnerability of their group. I also found myself more sympathetic to their situation, possibly as a result of their general lack of the extreme level of arrogance that characterized the Sleepless.
On a related note, I found the contrast drawn between Sleepless and Sleepers to be incredibly unrealistic. Naturally, Sleepless would be more productive, as they have more time to work. Since they also seem to come with intelligence enhancements, it makes sense that they would be more successful as well. However, it seemed like the mere existence of the Sleepless caused all Sleepers to instantly regress to a culture of non-productivity and entitlement. Despite the fact that non-modified humans built the world the Sleepless were born into, they are suddenly almost entirely incapable of contributing anything of worth to that same world. For this reason, most of the Sleepless take to referring to non-modified humans as ‘Beggars’, and Leisha and her entourage refer to them as ‘Livers’ (since all they do is live). I think it would have felt a lot more realistic if the novel had stuck to addressing the problems arising from the differing levels of natural aptitude, rather than causing non-modified humanity to suddenly become Eloi.
Lastly, I was a little bothered by the intense focus on the
U.S., at the exclusion of all else.
The creation of the Sleepless, and the existence of genetically modified
humans in general, would have caused dramatic changes in societies all around
the world. However, the rest of
the world barely gets a nod at any point in the novel. The characters focus very heavily on
quotes and ideas from American history, to the point of constantly quoting
Abraham Lincoln and men from the American Revolution. There’s a lot of talk about the American mindset that did
not seem particularly accurate to me.
Granted, I was nine in 1993 and I haven’t lived in the U.S. for a few
years, so my opinion on ‘the American mindset’ might not be entirely accurate. I suppose I was a little disappointed
that a novel titled Beggars in Spain,
did not, in fact, involve Spain at all.
My Rating: 2/5
Beggars in Spain brings up a lot of interesting questions about what effects designer super-babies would have on society. The plot stretches over a large amount of time, so there are many characters introduced. Unfortunately, the characters seemed mostly flat and unconvincing, and the antagonists were particularly over the top. The properties of the Sleepless made them seem like an exercise in wish fulfillment (they have immortality, eternal youth, beauty, intelligence, money, health…), and the main character, Leisha Camden, felt especially like a Mary Sue. Given their extreme level of privilege, it was very hard to credit the Sleepless claims of being terribly oppressed. While I felt that the second half of the story was an improvement over the first, my ultimate impression of the novel was one of disappointment.
Tuesday, October 4, 2011
Review: Count Zero by William Gibson
Count Zero by William
Gibson
Published: Gollancz,
1986
Series: Book 2 of the
Sprawl Trilogy
Awards Nominated:
British Science Fiction Association, Hugo, Nebula. Locus Science Fiction
The Book:
“Three unconnected
strangers are each ripped out of their daily life by a job that turns out to
hold much more complexity than meets the eye.
The mercenary Turner,
who specializes in helping important people defect from one multinational
corporation to another, has just finished recovering from the reconstruction of
his severely damaged body. He
finds himself pulled back into what looks like just another defection security
job.
The disgraced,
out-of-work art dealer Marly Krushkova is mysteriously selected by the
incredibly wealthy Josef Virek to hunt down the artist behind the creation of a
series of Joseph Cornell style boxes.
The inexperienced
hacker Bobby Newmark, also known as “Count Zero Interrupt” eagerly takes what
he’s told will be an easy job for an amateur hacker—only to find himself nearly
killed.
Their three stories
slowly converge, as each of their seemingly straightforward tasks catapults
them into situations that are more complicated and dangerous than they could
ever have expected.” ~Allie
Count Zero follows
the highly regarded novel Neuromancer. While it takes place in the same
universe, there is little continuity in plot or characters. I think it would be best to read Neuromancer first (I did so, years ago),
but Count Zero stands on its own as a
novel.
My Thoughts:
William Gibson definitely has a very distinctive style, and
I enjoyed the grungy, high-tech future he describes. Gibson’s style of writing evokes the state of mind of his
characters at any given point, despite the fact that their stories are written
from a 3rd person perspective. Gibson’s descriptions of locations in orbit and North
America were filled with a sense of decay and disorder, though his descriptions
of Europe (specifically Paris) did not really feel very fundamentally different
from modern-day Paris to me. He
also combines mysticism (in this case Haitian voodoo deities) with high
technology (AIs and hackers) to interesting effect. Some aspects of his future do seem a bit dated, but,
considering that this was written in 1986, I think that is to be expected.
The characters did not interest me quite as much as the
ideas and the setting. For one
thing, two of main characters, Turner and Marly, kind of felt like stereotypes
of masculinity and femininity, respectively. For instance, Turner is introduced with explosions, casual
violence, and loads of justified paranoia and posturing. Marly, on the other hand, is introduced
amid shopping trips, chatting with her female friend, and dealing with
emotional fallout from her treacherous, poisonous ex-boyfriend. I’m sure that there are perfectly
decent people who fit parts of these stereotypes, but Turner and Marly didn’t
seem to have all that much depth past their initial characterization. For me, it made it really difficult to
relate to either of them.
Bobby Newmark, the “Count Zero” of the title, was the most
interesting character to me.
Unlike the other two, he is not really an expert in anything, and he is
in way over his head. I was
impressed with his resiliency, and with the way he constantly tried to make
sense of and fit in with the bizarre new culture he’d been thrust into. He seems aware that people often see
him as an idiot or a screw-up, but he doesn’t let that get him down. Out of the three main characters, I was
most interested in the journey of Bobby Newmark.
Gibson initially presents these three main characters
separately, each with their own seemingly unrelated plot. As is usually the case when an author
introduces multiple plotlines, the stories eventually come together, more or
less. However, I didn’t get much
of a sense of how the three stories might fit together until about midway
through the book, so the three narratives seemed to move very slowly during the
first half. The actual merging of the stories only really got under way much
later, though the pace seemed to pick up dramatically as it happened. Though
some of the events that led to the combining of the three stories felt a little
contrived, I was pretty satisfied with how everything fit together in the
end.
My Rating: 3.5/5
While it might not be the game changer of Neuromancer, Count Zero delivers an entertaining cyberpunk story. I enjoyed the descriptions of the
grungy, ruined future communities, and Gibson’s style of prose is very
expressive of the states of mind of his main characters. The story follows three characters with
their own plotlines, which slowly come together toward the end. The characters were something of a weak
point, in my opinion, and Marly and Turner in particular felt almost like
stereotypical representations of gender. I was much more interested in Bobby
Newmark (“Count Zero”), mostly because I enjoyed his persistence and
self-conscious cockiness in the face of a situation he didn’t understand. The merging of the three stories came a
little too late in the novel for me, and some of the plot points that drove
that merging seemed a little artificial.
Altogether, though, I thought the conclusion was coherent and
satisfying.
Subscribe to:
Posts (Atom)