The New Moon’s Arms
by Nalo Hopkinson
Published: Warner
Books, 2007
Awards Nominated:
Nebula, John W. Campbell Memorial, and Mythopoeic Awards
The Book:
“The New Moon's Arms is a mainstream magical realism novel set in
the Caribbean on the fictional island of Dolorosse. Calamity, born Chastity,
has renamed herself in a way she feels is most fitting. She's a 50-something
grandmother whose mother disappeared when she was a teenager and whose father
has just passed away as she begins menopause.
With this physical change of life comes a return of a
special power for finding lost things, something she hasn't been able to do
since childhood. A little tingling in the hands then a massive hot flash, and
suddenly objects, even whole buildings, lost to her since childhood begin
showing up around Calamity.
One of the lost things Calamity recovers is a small
boy who washes up on the shore outside her house after a rainstorm. She takes
this bruised but cheerful 4-year-old under her wing and grows attached to him,
a process that awakens all the old memories, frustrations and mysteries around
her own mother and father. She'll learn that this young boy's family is the
most unusual group she's ever encountered—and they want their son back.”
~WWEnd.com
Nalo Hopkinson is an author
I’d whose work I’ve been meaning to check out for a while, so I was happy to
see that The New Moon’s Arms fits
nicely into one of my 2014 reading challenges. This is the first book I’ve read by Hopkinson, but I doubt
it will be the last.
My Thoughts:
The New Moon’s Arms is a story in part about a woman’s difficult
transition from youth to middle age. Calamity (born Chastity) is entering
menopause, but she is still clinging desperately to her youth and to the life
history that has defined her. Not
only is her sense of identity shifting, the world in which she was a young
woman is also beginning to no longer exist. From the long-ago destruction of her childhood home and loss
of her mother, to the recent death of her father, to the new perspectives of a
younger generation, everything is disappearing and changing. She must come to
terms with the mysteries and painful memories that fill her past before she can
move forward into a future that threatens to leave her behind. Part of this digging up the past comes
through her re-awakened ‘finding’ ability, which causes lost artifacts of her
childhood to resurface, and part is through interacting with the people that
have caused her to become the person she is in the present.
While Calamity’s life
has shaped her into an energetic, fiery woman with a sharp sense of humor, it
has also left her with some glaring personality flaws. From the beginning, she comes across as
very immature, impulsive, and prejudiced, with a level of self-absorption that
prevented her from seeking to understand anyone outside herself. At her best, she can be charming, but
at her worst, she is a trial to the people who attempt to love her. Her rescue of the sea child reflects
her best and worst qualities—she is a woman who would care for an abandoned
4-year-old with barely a second thought, but her lack of capability or desire
to understand others prevents her from even learning the kid’s name. Though I can’t say Calamity is exactly
likeable, I thought that her progression as a heroine felt realistic. People don’t change overnight, and
Calamity’s growth as a person is an inconstant and slow process.
On a last point, I
really loved the language of The New
Moon’s Arms, and the vivid physicality of the descriptions of the islands
where Calamity lived. Everyone in
the story spoke with a local patois, which gave a pleasant rhythm to their
speech, and Calamity’s voice, in particular, gave the narration a casual,
conversational style. I am wholly unfamiliar with Carribbean speech patterns,
but I thought that the narration and dialogue both felt very natural and easy
for a reader to follow. I am curious to read Hopkinson’s other novels, and to
see how they are similar or differ from the style of The New Moon’s Arms.
My Rating: 4/5
The New Moon’s Arms is a story of growing older and of having to
face the person you’ve allowed yourself to become. Calamity has not had an easy life, but she is a difficult
person to love. Calamity’s story in told a distinct and interesting voice, and
the weaknesses of her character are shown with an unflattering honesty. Calamity was not always an especially likeable
character, and the fantastical elements reflected her tendency to cling to the
past and her self-absorption. She
was an engaging flawed heroine, though, and I was eager to see her find some
way to grow into a life where she could be happy. I enjoyed A New Moon’s Arms, and will look forward
to reading more of Hopkinson’s work in the future.
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