Congratulations to Nnedi Okorafor on winning the World Fantasy Award for Best Novel!
My original predictions on the WFA novel nominees are here, and my full review of Who Fears Death is here.
I did not successfully predict the winning novel, but I did think Who Fears Death ranked in the top half of this year's nominees. I think it's great to see such creative and original work being rewarded!
Monday, October 31, 2011
Friday, October 28, 2011
Review: Phantom by Thomas Tessier
Phantom by Thomas Tessier
Published: Atheneum,
1982
Awards Nominated:
World Fantasy Award
The Book:
“Ned has known about
phantoms since he was very young.
You have to hide from them, under your bed covers. You can’t peek, because then you’ll see
that they’re real. Then there’s no
taking it back.
When Ned is almost
ten, his parents move him from the city to a small town called Lynnhaven. Lynnhaven has its own ghosts—stories of
people long gone and a ruined, abandoned spa that still remains. Ned seems to adapt well, befriending
several local old-timers and spending his days fishing and playing. However, he slowly becomes aware that
there is something dark waiting for him, and he associates it with the decrepit
spa. He knows that sooner or later
he will have to face his phantom…” ~Allie
Phantom, a novel
on the Horror Writer’s Association Reading List, is my second review
for WWEnd’s Month of Horrors. Phantom, which represents a very
different style of horror than Conjure
Wife, is a quieter, slower-paced story that focuses more on the kinds of
fear that are probably familiar to everyone.
My Thoughts:
One of the strengths of Phantom
as a horror story was the way it was built upon a foundation of realistic
fear. First, it featured the
(possibly) baseless terror children often experience while alone at night. I remember being an overly
imaginative child, spending nights where every little sound or shifting shadow
filled me with an irrational sense of doom. The actual events of Phantom moved well beyond usual
childhood fright, but its basis in this kind of common fear made Ned’s
situation much more relatable. The
other, more serious, kinds of fear at the heart of the story were of the
rational adult variety—fear of death or of losing someone you love. While childish fear certainly drove
some of the creepier scenes, the mature fears were the ones that truly lent the
story weight and made it memorable.
Despite the fact that the story involved both terror and
phantoms, it was incredibly slow-paced.
Most of the story involved Ned and his family getting settled in
Lynnhaven. His mother and father
both tried to help Ned adjust, in their own ways. For his part, Ned coped with
the move by forging a friendship with two elderly men, Peeler and Cloudy. The relationship between Ned and the
two men was absolutely adorable. Peeler and Cloudy took him along to fish or
catch bait, and Ned eagerly listened to their old stories about former
Lynnhaven residents. The
development of Peeler and Cloudy’s peaceful friendship with Ned, or ‘Mr.
Tadpole’ as they called him, and Ned’s relationships with his parents filled a
large part of the novel.
I enjoyed the focus on the characters and their
relationships, but I was surprised at how much more emphasis was placed on
everyday life than on frightening deviations from it. If you’re reading the story solely for thrills, I think it
might become frustrating. The
breaks between the more disturbing events are filled with pages of parental
worries and conversations with Peeler and Cloudy. I don’t mean to say that exciting,
creepy things don’t happen—Ned’s experiences with the spa are one example—but
the thrills definitely take a back seat to character study and contemplative scenes
of daily life.
The writing itself was concise and effective, but I was a
little put off by the style of narration.
The story is told from a third person omniscient point of view, and the
thoughts and feelings of each person are generally described in every
scene. The narration would hop
from the mind of one person to the next between paragraphs, a style that I find
personally jarring. It was never
unclear whose thoughts were being related, but I felt that constantly moving
from one person’s mind to another disturbed the flow of the story.
My Rating: 3.5/5
Phantom seems very
much what I would expect from traditional horror, except for its slow,
contemplative pace. It has a lot
to say on the subject of fear, both the kinds of fears that plague small
children and the inevitable fear of mortality with which I think most people
eventually struggle. Rather than focusing
on supernatural interference, the story focused more on the roots of a person’s
fear and how it affects their lives.
The thrilling, spine-tingling scenes were few and far between, but the
bulk of the novel studied the relationships between Ned, his parents, and the
elderly townsfolk Peeler and Cloudy.
While it may not be packed full with action and suspense, the story of
Ned and his phantom portrays many varieties of fear that will resonate with its
readers.
Monday, October 24, 2011
Review: Hull Zero Three by Greg Bear
Hull Zero Three by
Greg Bear
Published: Orbit,
2010
Awards Nominated:
John W. Campbell Award, Arthur C. Clarke Award
The Book:
“A starship hurtles through the
emptiness of space. Its destination - unknown. Its purpose - a mystery.
Now, one man wakes up. Ripped from a dream of a new
home - a new planet and the woman he was meant to love in his arms - he finds
himself wet, naked, and freezing to death. The dark halls are full of monsters,
but trusting other survivors he meets might be the greater danger.
All he has are questions -- Who is he? Where are they
going? What happened to the dream of a new life? What happened to Hull 03?
All will be answered, if he can survive the ship. “~barnesandnoble.com
I’ve never actually gotten around to reading any Greg Bear, despite his
popularity as an author. When I
saw Hull Zero Three was nominated for
the Campbell Award this year, I thought it would be a good time to check out
his work. While I don’t think Hull Zero Three is for everyone, I did
rather enjoy it.
My Thoughts:
I think this is the kind of book that some people are going
to love, and others are going to hate. I can see where the narrative style and
the structure of the story might be intriguing to some readers but alienating
to others. It seemed, to me, like a combination of a Big Dumb Object story, a
sci-fi horror story, a cinematic thriller, and an adventure RPG. While none of these elements seem
particularly original, I felt that they melded together to make an entertaining
story.
Hull Zero Three is
narrated in first person and in present tense, from the mind of the confused,
disoriented protagonist called ‘Teacher’.
He doesn’t really know what’s going on when he wakes up, and what few
memories he has are jumbled up and disconnected. The present tense helped to give the situation a sense of
immediacy, and the near-blank-slate main character allows the reader to explore
and learn alongside the narrator.
Though Teacher is not an incredibly deep character, Bear managed to keep
him from seeming too generic or bland. Seeing the story through Teachers mind,
as he collected clues, met allies and enemies, and fought or fled from
monstrous creatures, felt very much like experiencing a story-based adventure
game.
The downside for this type of adventure is that neither the
characterization nor the plot has a whole lot of depth. While Teacher and
several other characters do have distinct basic personalities, they know almost
nothing about themselves and their purpose in the ship. As a result, it seemed like almost all
of the conflict and activity in the story was external and physical. Even the characters’ personal journeys
of self-discovery were externalized, as they gathered clues about their
identities and roles in the current desperate situation.
As a result, a lot of the story consists of the characters’
reactions to physical obstacles and dangers. The writing style is rather plain and terse, and it focuses
on the physical and visual aspects of the story—descriptions of the
environment, the deadly creatures, and the actions of the characters. The story moves along quickly, though I
felt it lacked the character connection that might have come from a more
introspective approach. I think that this style of story would be very suited
to a film adaptation. (Actually,
I’ve heard it has similarities to a certain film, Pandorum. I haven’t seen it, though, so I can’t really comment.)
I found myself liking the book more the further I read
through it. I didn’t find the
beginning of the story to be very compelling. Since Teacher had no idea what
was happening around him, some of the difficulties he struggled through seemed
to be random and illogical. Information about Teacher, his companions, and
their purpose is given only very gradually, and the story was much more
interesting when the larger picture started to come together. I felt that this started to happen a
little too late in the story, though, as there was then little time to explore
the ideas about morality and identity that were being raised. I think I would have preferred to see
more time spent on the end of the story than the beginning, though I did appreciate
the eventual explanations for Teacher’s journey.
My Rating: 3.5/5
Hull Zero Three seems
to be highly influenced by previous science fiction, movies, and video
games. The reader slowly learns
about the situation and the characters through the mind and narration of a
near-blank-slate protagonist called Teacher, who has just awakened with very little
knowledge or memories. Most of the
novel focuses on the physical environment and actions of the characters as they
struggle to survive. The story
eventually draws together to an interesting conclusion, but I felt that the explanations
came a little too late in the novel.
Altogether, I thought this was an entertaining, but not groundbreaking,
novel.
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